Inspiration – where to get it from.

It is said that a creative spirit needs inspiration. As Bonsai design is a creative activity, it is IMG_0265therefore important to be in touch with the sources of our inspiration. I have recently returned from a conference relating to Education where I was exposed to a variety of speakers. I was very aware that during and immediately after the conference, I was definitely more motivated to work on certain things in my main job. This came from listening to these powerful speakers and becoming aware of the latest trends in my vocation. This is the same for my Bonsai activities.

IMG_0269Exposure to other Bonsai people will lead to higher levels of inspiration and motivation. I live in an area in New Zealand where there are not that many other Bonsai enthusiasts and you sometimes do feel isolated. To overcome this, I have to make an effort to meet up with other Bonsai people. The local club, although very small, serves as a source of inspiration. I am the teacher here and other people rely on me for the advancement of their skills and knowledge. This places me in a position where I have to stay on top of my game. Through this I have also realised that I only know about the tip of the iceberg and that I need to learn as well. Again it comes back to people, as I can only get this knowledge and skills from others who are more advanced than me, or have produced resources that I can learn from. So, first of all people.

It is important that as a Bonsai artist, you realise that there will always be something new IMG_0271to learn or practice. I like the way that a lot of martial arts movements are set up. There is a clear line to follow from beginner level through to a very advanced level. I am not saying that we have to start different colour belts to show our proficiency in Bonsai, but the levels of training can be copied. A sensei at one dojo always learns from a more advanced practitioner somewhere else. This means you either have to go places or you have to get the masters to your place. This is already happening in Bonsai throughout the world and this has opened up many more opportunities for Bonsai professionals. As a side note, I do use the term Bonsai professional in a different context to Bonsai master. Not all professionals are masters and not all masters are professionals. More on this in later blogs. Back to the main thread of this blog. Where do we get inspiration from to excell in Bonsai activities? I have already established that it is mainly through the exposure to other people and preferably to more advanced practitioners. That means that you have to be a regular club member, be active in this club and teach at that level. The next step is to align yourself to an organisation or club where more advanced teaching takes place. From there it is important to attend shows, regional and national and even international teaching opportunities. Displaying your own trees is a big part of this. Immense growth takes place when you receive feedback from visiting judges once you get over the fact that you might get some negative input as well. Good teachers will make sure that this feedback is constructive and you can learn much from that. Just leave your ego at the door when you go into this type of situation, after-all, there is no ego in Bonsai as an art form.

IMG_0257Other forms of inspiration comes from man made resources. I find a lot of inspiration in my very large Bonsai library (wonder what the total cost of this is), which consists of books and many magazines. I currently hold a subscription to two international magazines and also receive our national production on a regular basis. Books come through online bookshops and I am now also in the fortunate position that I receive books from publishers and authors to review. Magazines keep me up to date with what is happening in the Bonsai world and brings the latest shows into my living room.

My next source of inspiration comes through good blogs. I follow about 25 blogs and find them informative and a major part of my everyday learning. My own education has increased immensely once I started my own blog (this one) up. I have to research every topic as there are always people out there who will catch you out if you talk nonsense. Try it, not the catching out bit or the talking nonsense bit, but the blogging bit. I also regularly visit websites dedicated to Bonsai activities and other related topics (suiseki and general horticulture).

Then there is You Tube. What a great learning tool. Here I am subscribed to at least thirty IMG_3432-0good quality channels and people who regularly post new material and from which I learn heaps. Just type Bonsai in the search area and you will find a great resources at your fingertips. While I am on internet based things, Facebook is exploding around Bonsai matters (probably lots of other things as well). One needs to be disciplined when you venture into this mosh pit of activity. Not everyone who has a presence here are noteworthy, but most of the “big” names in Bonsai are represented here.

I am very sure that there are many more sources of inspiration for Bonsai activities and I also know that what works for one person, does not necessarily work for everyone. The bottom line is that you cannot venture on this Bonsai journey on your own. You need other dedicated people around you and always be aware of the one-up principle, you need to learn and be inspired by people or a person who knows more than what you do.

Then there are my own trees. The moment I start to spend time with my trees (and the trees of other people), my motivation levels rise and there is no substitute for it. Yes, it can lead to frustration if you do not get it right, but overall it is invigorating and inspiring when you work with trees and realise the progress. Surrounding you with good people, good resources and good trees will always expose you to enough resources to keep going and to keep going at a high level.

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Basic Identification of Conifers

Conifers make up a large percentage of most Bonsai collections across the world. To me, one of the difficult things with conifers, is to identify the tree to the correct species level. The reason for this could be that my early Bonsai education was on broadleaves and not so much on conifers. Conifers as a large group are identified by the fact that they do not flower, but in the place of this, they produce cones that contain the seeds. This makes them part of the Gymnosperm taxa, along with ginkgo and cycads. These are some of the oldest known plants in nature.

It is not that difficult to identify conifers to genus level, as this can be done mainly on leaf type and shape. Here follows my take on what this looks like (An arrow points to the next table for that category).

Conifers

Cupressaceae

Have scale-like or awl-like shaped leaves.

Pinaceae

Have needle-like leaves

 

Taxus

Have leaves that are flat and feather-like in arrangement and shape.

Junipers and Thuja Pines, Spruce, Fir and Douglas fir

Yews

 

Cupressaceae family

Leaves are scale-like or awl-like.

Fruit is a berry-like cone with scales fused together

Leaves are scale-like or awl-shaped. The foliage is arranged around the branch, rather than flattened and cones are berry-like with scales pressed together.

Juniper (Juniperus)

The leaves are small, scale-like and pressed to the stem. The foliage is flattened and plate-like in appearance. The cones are berry-like with thick scales.

Thuja (Arborvitae)

 

Pinaceae family

Leaves are needle-like

Single needles.

 

Needles sheathed at the base in bundles of two to five. Cones have thick scales and are woody with swollen tips.

Pine (Pinus)

Short needles in tufts of ten or more and could be deciduous.

 

Larch (Larix)

Needles are flat in cross-section and quite flexible.

The needles are square in cross-section and quite stiff.

Spruce (Picea)

Norway_Spruce_foliage,_Fågelmara,_Sweden

Spruce

The needles leave an oval leaf scar and the bud tips are pointed. The cones have a three-pronged lobed tongue-like bract that extend out beyond the scales.

Douglas Fir (Pseudotsuga menziesii)

The needles leave a round leave-scar and the bud tips are roundish. The cones grow upright on the branch and usually breaks apart before falling off completely.

Fir (Abies)

 

 

From here the classification can be further refined to identify the specific conifer to species level. This will come in a future blog.

 

 

 

 

Pohutukawa as Bonsai

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Root over rock as Bonsai

Metrosidorus excelsa, also known as the New Zealand Christmas tree and in Maori, Pohutukawa, is an interesting tree to style as Bonsai.

Pohut1

This looks like two smaller trees, simulating a clump style Bonsai.


   
I have recently had the opportunity to photograph a few very old Pohutukawa trees in Mt Maunganui in New Zealand. I have no idea how old they are, but their form is quite distinctive when you study the trees in nature. From this I came to the conclusion that they are best suited for informal upright, clump style or root over rock style. They naturally grow aerial roots and form good bark on exposed roots. The red coloured flowers add to the spectacle. The three Bonsai photos are mainly from the http://www.nzbonsai.co.nz website and the http://www.bonsaiforbeginners.com site.

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Masses of aerial roots makes it perfect for a root over rock style.

The photos following from there are the photos of the trees growing in Mt Maunganui, New Zealand. The first group is typical of the clump style growth that a lot of these trees show.

The next group of trees shows why I think the Pohutukawa is excellent material for root over rock style.

Some of these trees are also seen in nature as examples of an informal upright style.

I have also noticed some branches hanging very low, almost to the point of being a cascade or a semi-cascade.

I have been growing cuttings of another form of Meterosidorus, namely the Metrosideros kermadecensis. This tree has smaller leaves than the excelsa which is great for Bonsai. All these varieties are frost sensitive and needs protection in cold climates.